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I–V–vi–IV Progressions
The most common pop progression — recognize it in hundreds of songs.
Objective
Play I–V–vi–IV in four keys (G, C, D, A) and identify it by ear in at least three songs.
Concepts
- ▸I–V–vi–IV is the most ubiquitous chord progression in Western pop music.
- ▸In G major: G–D–Em–C. In C: C–G–Am–F. In D: D–A–Bm–G. In A: A–E–F#m–D.
- ▸The vi chord (minor) is the "emotional dip" — it gives the progression its nostalgic, slightly melancholic quality.
- ▸Because the same four chords repeat, thousands of songs share this progression — the melody is what differentiates them.
- ▸Variations: starting on the IV (IV–I–V–vi) sounds more upbeat. Starting on the vi (vi–IV–I–V) sounds minor and darker.
- ▸The I–V–vi–IV is sometimes called the "Axis of Awesome" progression — see their viral medley.
Diagram / Notation
I–V–vi–IV in four keys: Key of G: G – D – Em – C Key of C: C – G – Am – F Key of D: D – A – Bm – G Key of A: A – E – F#m– D Variations (same chords, different starting point): IV–I–V–vi: C–G–D–Em (starts on C, sounds brighter) vi–IV–I–V: Em–C–G–D (starts on Em, sounds darker/minor) Songs using G–D–Em–C: "Let Her Go" (Passenger) "Someone Like You" (Adele, with capo) "No Woman No Cry" (Bob Marley)
Exercises
1.Play all four rotations
- 1.In G: play G–D–Em–C four times, 4 beats each chord.
- 2.Then D–Em–C–G (starting on V). Then Em–C–G–D (starting on vi). Then C–G–D–Em (starting on IV).
- 3.Same chords, completely different emotional feel. This is the power of rotation.
2.Ear training: identify in songs
- 1.Put on "Let Her Go" by Passenger. Listen through once.
- 2.Identify when the G, D, Em, and C chords fall.
- 3.Try to hear the "emotional dip" on the Em chord.
- 4.Repeat with two other songs from the examples above.
3.Write a 4-bar melody over it
- 1.Loop G–D–Em–C in G major at 90 BPM.
- 2.Sing or hum a simple melodic phrase over it. Just 4–8 notes.
- 3.Try to record it — you have just written a pop song hook.
Tips
- 💡This progression is everywhere — once you hear it you cannot un-hear it. That is a good thing.
- 💡The reason it works: it includes all the most consonant intervals in Western music, balanced between tension and resolution.
- 💡Use it as a compositional starting point, not a cliché — every melody makes it unique.
- 💡Notice how different strumming patterns and tempos completely transform the feel of the same 4 chords.